Sunday, December 21, 2025

A Tribute to a Few of the Musical Greats Who Died in 2025

 As is inevitable, a number of musical greats have passed away this year. I won't attempt to cover everyone who deserves a mention, but here are some slightly revised tributes that I posted about three of them soon after their deaths, and a brief listing of some other notable individuals, plus some representative songs that they wrote or performed (or, in many cases, both).

Two of the most significant deaths came in June, when in the space of just a few days, the world lost two incredibly influential musical greats, Sylvester "Sly Stone" Stewart and Brian Wilson, both of whom were 82 years old when they died (though Wilson was less than 10 days from turning 83). Sly and the Family Stone was probably the most influential soul/funk band of the late 1960s and early 1970s, with a string of hits like "Dance to the Music", "Everyday People", "Sing a Simple Song", "Stand!", "I Want to Take You Higher", "Hot Fun in the Summertime", "Thank You (Falettinme Be Mice Elf Agin)", "Everybody Is a Star", and "Family Affair", all written by Sly Stone himself. The composition of the group was mixed in both race and gender (including women who performed as musicians, not just vocalists), which was unusual at that time. My personal favorite is "Everyday People", which to me encapsulates all of the group's best features, both musically and in terms of their message of inclusion and universal brotherhood (a message that is if anything even more vital today). 

Brian Wilson was the musical mastermind behind the Beach Boys, one of the most influential groups ever. He was responsible for writing and arranging the vast majority of their output, at least up until the late 1960s when his mental issues began to get the better of him, and he continued to sporadically create brilliant music thereafter. His artistic peak came with Pet Sounds, widely regarded as one of the best albums of all time, and the abortive Smile project, songs from which were often the highlights of the later albums they were released on. He meticulously crafted songs note by note, producing classics like "I Get Around", "California Girls", "Wouldn't It Be Nice", "God Only Knows", "Caroline, No", "Good Vibrations", "Heroes and Villains", "Surf's Up", "This Whole World", "Til I Die", "Love and Mercy" and many more. His music was a big influence on a huge number of other artists, including the Beatles and particularly his "musical twin" Paul McCartney (they were born only two days apart), who cited Pet Sounds as a big influence on Sgt. Pepper's Lonely Hearts Club Band. At some point, I hope to write a more comprehensive overview of Wilson's songs (at least from the parts of his catalog I am familiar with); I already have a list of over 25 of his best songs with the Beach Boys and as a solo artists, but they deserve a longer essay to accompany them. 

While he wrote far fewer songs and had a much briefer and far less mainstream musical career (especially relative to the length of his life), in many ways Tom Lehrer, who died in July at the age of 97(!), was nearly as influential as Stone and Wilson. Lehrer, arguably the 20th century's greatest writer of satirical songs, began writing songs while a student at Harvard in the 1940s. He recorded his first record, Songs by Tom Lehrer, in one hour at a cost of $15. The initial pressing of the record, made at Lehrer's own expense, was 400 copies; it eventually sold over a hundred thousand copies (to give a conservative estimate). He recorded a second album in 1959 in two versions, live (An Evening Wasted with Tom Lehrer) and studio (More of Tom Lehrer). His 1950s output included "The Old Dope Peddler", "Be Prepared", "The Irish Ballad", "When You Are Old and Gray", "I Hold Your Hand in Mine", "Poisoning Pigeons in the Park", "The Elements" (a recitation of all the chemical elements to the tune of the "Major-General's Song" from Gilbert and Sullivan's The Pirates of Penzance), "The Masochism Tango" and "We Will All Go Together When We Go". In the early 1960s, he wrote an additional batch of songs for the satirical television show That Was The Week That Was and he recorded them in a live performance as the album That Was the Year That Was. These songs included "National Brotherhood Week", "Send the Marines", "New Math", "Wernher von Braun" and "The Vatican Rag". 

After 1967, Lehrer retired from live concert performances and didn't record any more albums. However, in the early 1970s, he wrote a number of songs for the children's program The Electric Company, including "N Apostrophe T" (performed by Jim Boyd and Lee Chamberlin), "The Menu Song" (performed by Rita Moreno and Morgan Freeman), "Snore, Sniff and Sneeze", "L-Y", and the highly memorable "Silent E" (the latter three performed by Lehrer himself). Even decades after hearing "Silent E" as a kid, I could still hear it in my head, so when I read that it was one of Lehrer's, I immediately recognized his voice in my mind.

For Lehrer, music was largely a sideline; he was a mathematician by training. After we was drafted into the army in the 1950s, he worked for two years at the then-secret National Security Agency, during which time, by his own account, he invented the Jello shot. He taught mathematics for decades at a university in California before retiring in 2001. He himself once stated that over a period of 20 years, he'd only performed 109 shows and written 37 songs (a later estimate is about 50 songs). Nevertheless, he attracted a wide range of fans, ranging from the UK's Princess Margaret (when she was awarded an honorary music degree in 1957, the orator mentioned Lehrer in discussing the breadth of her taste, sparking an interest in Lehrer's music in the UK) and writer and scientist Isaac Asimov (who wrote about enjoying a Lehrer performance in a nightclub in 1954) to actor Daniel Radcliffe (who once sang "The Elements" on The Graham Norton Show). The British theatrical producer Cameron Mackintosh, who went on to produce some of the most successful musicals of all time (Les Miserables and The Phantom of the Opera being just two examples), devised and produced the musical Tomfoolery based on Lehrer's songs early in his career. Musicians who have expressed great admiration for Lehrer include Randy Newman, Steely Dan's Donald Fagen, and "Weird Al" Yankovic.

One of Lehrer's most impressive actions came towards the end of his life, when he formally relinquished the rights to all of the music and lyrics he had written in his life, putting them all into the public domain. This means that anyone can perform or record any of his work without having to ask for permission or paying any royalties. If only more songwriters nearing the end of their lives would do the same.... 

Stone, Wilson, and Lehrer are of course hardly the only important musical figures who passed away in 2025. Among the others are, in rough chronological order of death, Peter Yarrow, Sam Moore, Marianne Faithfull, Jerry Butler, Chris Jasper, Roberta Flack, David Johansen, Joey Molland, Charles Strouse, Freddie Aguilar (Philippines), Alf Clausen, Mick Ralphs, Lalo Schifrin, Connie Francis, Ozzy Osbourne, Rick Davies, John Lodge, and 楊弦 (Taiwan). 

Here is an incomplete list of notable songs written or performed by the abovementioned individuals (see the text above for more songs by Stone, Wilson, and Lehrer):

Dance to the Music (S. Stewart)    Sly and the Family Stone (Sly Stone [Sylvester Stewart])
Everyday People (S. Stewart)    Sly and the Family Stone
Stand! (S. Stewart)    Sly and the Family Stone
Family Affair (S. Stewart)    Sly and the Family Stone
If You Want Me to Stay (S. Stewart)    Sly and the Family Stone
California Girls (W: Love/Wilson M: Wilson)    The Beach Boys (Brian Wilson)
God Only Knows (W: Asher/Wilson M: Wilson)    The Beach Boys
Good Vibrations (W: Love M: Wilson)    The Beach Boys
Heroes and Villains (W: Parks M: Wilson)    The Beach Boys
Surf's Up (W: Parks M: Wilson)    The Beach Boys
'Til I Die (Wilson)    The Beach Boys
Love and Mercy (Wilson)    Brian Wilson
The Old Dope Peddler (Lehrer)    Tom Lehrer (Tom Lehrer)
Be Prepared (Lehrer)    Tom Lehrer
Poisoning Pigeons in the Park (Lehrer)    Tom Lehrer
National Brotherhood Week (Lehrer)    Tom Lehrer
Wernher von Braun (Lehrer)    Tom Lehrer
The Vatican Rag (Lehrer)    Tom Lehrer
Silent E (Lehrer)    Tom Lehrer
Puff the Magic Dragon (W: Lipton M: Yarrow)    Peter, Paul and Mary (Peter Yarrow)\
Day Is Done (Yarrow)    Peter, Paul and Mary
Leaving On A Jet Plane (Denver)    Peter, Paul and Mary
Torn Between Two Lovers (Yarrow/Jarrell)    Mary MacGregor
Light One Candle (Yarrow)    Peter, Paul and Mary
Hold On, I'm Comin' (Hayes/Porter)    Sam & Dave (Sam Moore)
Soul Man (Hayes/Porter)    Sam & Dave
I Thank You (Hayes/Porter)    Sam & Dave
As Tears Go By (Jagger/Richards/Oldham)    Marianne Faithfull (Marianne Faithfull)
Sister Morphine (Faithfull/Jagger/Richards)    Marianne Faithfull/The Rolling Stones
Broken English (Faithfull/Reynolds/Mavety/York/Stannard)    Marianne Faithfull
The Gypsy Faerie Queen (Faithfull/Cave)    Marianne Faithfull
For Your Precious Love (Brooks/Brooks/Butler)    Jerry Butler and the Impressions (Jerry Butler)
He Will Break Your Heart (Butler/Carter/Mayfield)    Jerry Butler
Make It Easy on Yourself (W: David M: Bacharach)    Jerry Butler
I Don't Want to Hear It Anymore (Newman)    Jerry Butler
Only the Strong Survive (Butler/Gamble/Huff)    Jerry Butler
Love Put Me on a Corner (Jasper)    The Isley Brothers (Chris Jasper)
Caravan of Love (Isley/Jasper/Isley)    Isley-Jasper-Isley 
Compared to What (McDaniels)    Roberta Flack (Roberta Flack)
The First Time Ever I Saw Your Face (MacColl)    Roberta Flack
Killing Me Softly with His Song (W: Gimbel/Lieberman M: Fox)    Roberta Flack
Feel Like Makin' Love (McDaniels)    Roberta Flack
And So It Goes (Flack/Angelou/Miles)    Roberta Flack
Personality Crisis (Johansen/Thunders)    New York Dolls (David Johansen)
Lonely Planet Boy (Johansen)    New York Dolls
Funky But Chic (Johansen/Sylvain)    David Johansen
Hot Hot Hot (Cassell)    Buster Poindexter [David Johansen]
I'd Die Babe (Molland)    Badfinger (Joey Molland)
Love Time (Molland)    Badfinger
Love Is Easy (Molland)    Badfinger
Put on a Happy Face (W: Adams M: Strouse)    Dick Van Dyke (Charles Strouse)
Once Upon a Time (W: Adams M: Strouse)    Ray Bolger and Eileen Herlie
Those Were the Days (W: Adams M: Strouse)    Carroll O'Connor and Jean Stapleton
Tomorrow (W: Charnin M: Strouse)    Andrea McArdle
It's the Hard Knock Life (W: Charnin M: Strouse)    Andrea McArdle and Cast
Anak (Aguilar)    Freddie Aguilar (Freddie Aguilar)
Magdalena (Aguilar)    Freddie Aguilar
Mindanao (Aguilar)    Freddie Aguilar
Ipaglalaban Ko (Aguilar)    Freddie Aguilar
Who Needs The Kwik-E-Mart? (W: Daniels M: Clausen)    Hank Azaria and Cast (Alf Clausen)
We Do (W: Swartzwelder M: Clausen)    The Simpsons
We Put the Spring in Springfield (W: Keeler M: Clausen)    Dan Castellaneta, Harry Shearer, Tress MacNeille
Canyonero (Clausen/Cary)    Hank Williams Jr.
Ready for Love/After Lights (Ralphs)    Mott the Hoople (Mick Ralphs)
One of the Boys (Hunter/Ralphs)    Mott the Hoople
Can't Get Enough (Ralphs)    Bad Company
Feel Like Makin' Love (Rodgers/Ralphs)    Bad Company
The Cat (Schifrin/Ward)    Jimmy Smith with Lalo Schifrin (Lalo Schifrin)
Theme from Mission: Impossible (Schifrin)    Lalo Schifrin
Tar Sequence (Schifrin)    Lalo Schifrin
Bullitt (Main Title) (Schifrin)    Lalo Schifrin
Theme from Enter the Dragon (Schifrin)    Lalo Schifrin
Who's Sorry Now (W: Kalmar/Ruby M: Snyder)    Connie Francis (Connie Francis)
Everybody's Somebody's Fool (Keller/Greenfield)    Connie Francis
Where the Boys Are (W: Greenfield M: Sedaka)    Connie Francis
Vacation (Francis/Weston/Hunter)    Connie Francis
Pretty Little Baby (Stirling/Nauman)    Connie Francis
Paranoid (Butler/Iommi/Osbourne/Ward)    Black Sabbath (Ozzy Osbourne)
War Pigs (Butler/Iommi/Osbourne/Ward)    Black Sabbath
Crazy Train (W: Daisley M: Rhoads/Osbourne/Daisley)    Ozzy Osbourne
No More Tears (Osbourne/Wylde/Inez/Castillo/Purdell)    Ozzy Osbourne
Bloody Well Right (Davies)    Supertramp (Rick Davies)
From Now On (Davies)    Supertramp
Goodbye Stranger (Davies)    Supertramp
Brother Where You Bound (Davies)    Supertramp
Ride My See-Saw (Lodge)    The Moody Blues (John Lodge)
Isn't Life Strange (Lodge)    The Moody Blues
I'm Just a Singer (In a Rock and Roll Band) (Lodge)    The Moody Blues
Gemini Dream (Hayward/Lodge)    The Moody Blues
鄉愁四韻〈詞:余光中 曲:楊弦〉    楊弦 (楊弦)
民歌手〈詞:余光中 曲:楊弦〉   楊弦
迴旋曲〈詞:余光中 曲:楊弦〉   楊弦
山林之歌〈詞曲:楊弦〉   楊弦

Sunday, December 8, 2024

Rock Show: A Beatles Album from 1976

After setting the project aside for many years, I've finally added one more album to my series of imaginary Beatles albums of the 1970s. It seemed appropriate to post it today, the 44th anniversary of John Lennon's death. The previous album in this series I entitled Whatever Gets You Thru Your Life, and it opens with a description of the series as it stood at the time, which readers can check out for a quick overview. I've given this latest one the title Rock Show, after the excellent Paul McCartney and Wings track by the same name, a song that is part of a two-song medley with "Venus and Mars", which gave its name to the real world Wings album the medley opened. The same medley opens this album, and it is followed by songs from Lennon, George Harrison, and Ringo Starr, and of course several more from McCartney, who was the most prolific of the four at this point (and pretty much ever since). This album, like the one before it, doesn't have quite as many songs that are likely to appear at the very top of lists of the best of the respective Beatles' solo releases, but all the songs on it are (in my opinion, at least, though I think most fans would agree) nevertheless quality material, worthy of an actual Beatles album. I have written liner notes to accompany the album in the vein of those I wrote for the previous albums years ago.

I hope to find time to do more of these albums, perhaps even getting into the 1980s and beyond, but since it's one of many projects I want to work on, it's hard to tell how soon I'll manage to get to it. 

Rock Show

Venus And Mars/Rock Show (McCartney/McCartney) (1975/05/30)
#9 Dream (Lennon) 4:48 (1974/09/26)
This Guitar (Can't Keep From Crying) (Harrison) (1975/09/22)
Call Me Back Again (McCartney) (1975/05/30)
All By Myself (Poncia/Starkey) (1974/11/15)
You (Harrison) (1975/09/12[single]; 1975/09/22)
Soily (McCartney/McCartney) (Recorded 1974/08)
Going Down On Love (Lennon) (1974/09/26)
The Answer's at the End (Harrison) (1975/09/22)
Listen To What The Man Said (McCartney/McCartney) (1975/05/16[single])

Total Time - 44:55


Venus And Mars/Rock Show 
Written by Paul and Linda McCartney; Performed by Paul McCartney and Wings
Recorded 1975/01; Released 1975/05/30
From Venus And Mars

#9 Dream
Written and Performed by John Lennon
Recorded 1974/07-08; Released 1974/09/26
From Walls And Bridges

This Guitar (Can't Keep From Crying)
Written and Performed by George Harrison
Recorded 1975/04-06; Released 1975/09/22
From Extra Texture (Read All About It)

Call Me Back Again
Written by Paul and Linda McCartney; Performed by Paul McCartney and Wings
Recorded 1975/02; Released 1975/05/30
From Venus And Mars

All By Myself
Written by Vini Poncia and Richard Starkey (Ringo Starr); Performed by Ringo Starr
Recorded 1974/08; Released 1974/11/15
From Goodnight Vienna

You
Written and Performed by George Harrison
Recorded 1971/02 and 1975/04-06; Released 1975/09/22 [single 1974/09/12]
From Extra Texture (Read All About It)

Soily
Written by Paul and Linda McCartney; Performed by Paul McCartney and Wings
Recorded 1974/08; Released 2014 (live version released 1976/12)
From One Hand Clapping/Venus And Mars Archive Collection

Going Down On Love
Written and Performed by John Lennon
Recorded 1974/07-08; Released 1974/09/26
From Walls And Bridges

The Answer's at the End
Written and Performed by George Harrison
Recorded 1975/04-06; Released 1975/09/22
From Extra Texture (Read All About It)

Listen To What The Man Said
Written by Paul and Linda McCartney; Performed by Paul McCartney and Wings
Recorded 1975/01-02; Released 1975/05/16 [single]
From Venus And Mars

In the alternate universe where the Beatles stayed together, they might have followed their early 1975 release Whatever Gets You Thru Your Life with this album, which I've given the title Rock Show, either at the end of the same year or in early 1976. The title comes from the song that made up the bulk of the two part medley which opened the 1975 Wings album Venus and Mars. Paul McCartney dominates this album almost by default, as Venus and Mars, which most of his contributions come from, was the second strongest Wings album after 1973's Band on the Run, whereas the other three were entering a period where they were less prolific or were releasing weaker material. 

As mentioned above, "Venus And Mars/Rock Show" is a two song medley consisting of the brief acoustic track "Venus And Mars" and the longer rock track "Rock Show". Just as it opened the Wings album Venus and Mars, it makes a great opening for this album. Two other songs from Venus and Mars appear here, the soulful "Call Me Back Again" and the excellent pop song "Listen To What The Man Said", which was a number one hit in the US and reached number six in the UK. The latter is this album's closing track, allowing it to go out with a bang. Aside from the above three tracks (or four, if the opening medley is treated as two songs), there is one other McCartney song on this album, the rocker "Soily". This song was written by McCartney (as with all the other McCartney songs here and many others from this era, Paul shares credit with his wife Linda, though he was certainly the primary writer) as early as 1971, and Wings began performing it live in 1972, but it never appeared as a studio recording on any Wings album or single while the band was active. A version from the 1976 live album Wings Over America was released as a single in 1977, but the version here was recorded live in the studio in 1974 for the Wings film One Hand Clapping, which went unreleased until the 21st century. This recording was first officially released as one of the bonus tracks on the 2014 reissue of Venus and Mars.

There are only two songs from John Lennon on this album, because 1974's Walls And Bridges, from which they both were taken, was his last album of original material released in the 1970s. It was a solid effort with quite a few good songs, if not equal to his first two solo albums, and I'll certainly include at least one more song from it on the next album in this series. But in order to ensure that Lennon has some presence on all of these albums (at least until I get into the period well after his death), it's necessary to spread the songs out somewhat. "#9 Dream" was the second single from Walls And Bridges (after "Whatever Gets You Thru the Night", which appeared on the previous album in this series) and is one of his better songs from this period. Interestingly, the female voice calling his name on the song does not belong to his wife Yoko Ono (who he was separated from when he recorded Walls and Bridges, but to his girlfriend at the time, May Pang. "Going Down On Love" is a more of a rocker; it was the opening track on Walls and Bridges and makes a very good album track.

Three songs from George Harrison appear here, all taken from his 1975 album Extra Texture (Read All About It). This album is generally considered an improvement on his 1974 album Dark Horse, though not equal to 1973's Living in the Material World, much less his universally lauded All Things Must Pass from 1970. "This Guitar (Can't Keep From Crying)", which is something of a sequel to his classic White Album song "While My Guitar Gently Weeps", is a very solid album track, as is "The Answer's at the End". The upbeat, Motown-inspired "You" was the lead single from the album and was a top 20 hit in the US. Harrison wrote it back in 1971, originally for Ronnie Spector. But her version was never completed or released, so Harrison added his own lead vocal to the already recorded basic track, resulting in one of his best songs from this period.

Finally, there's one song from Ringo, taken from his 1974 album Goodnight Vienna, the title track of which appeared on the previous album in this series. The song included here "All By Myself", was written by Ringo himself in collaboration with Vini Poncia, who also co-wrote two songs with him on 1973's Ringo, universally regarded as Ringo's best solo album. Goodnight Vienna, while decent, falls short of the standards that album set, and it also has far fewer songs written (or co-written) by Ringo and his fellow Beatles, all of whom contributed songs to Ringo. Only Lennon contributed to Goodnight Vienna, writing the aforementioned title track, while the Poncia-Starr team wrote "All By Myself" and one other song, "Oo-Wee". While there are several other good songs on Goodnight Vienna, such as "Snookeroo" (written by Elton John) and the novelty tune "No No Song", for this series of imaginary Beatles albums I have preferred to stick to songs that were at least co-written by one of the group. 


Sunday, December 3, 2023

Solo Compositions by Female Superstars

As might be obvious to anyone who has read even a few entries on this blog, one of the things I most enjoy doing is compiling albums or music playlists based on various themes, whether it's my favorite songs by particular songwriters, imaginary albums by bands like the Beatles, the best songs of particular eras, early recordings by famous artists, obscure versions of famous songs, or songs about particular topics or in particular musical styles. Granted, some of these lists can get pretty esoteric, but I get a kick out of making them, and I think most of them have some appeal to at least a subset of music fans. Here's one of my more off-the-wall music lists, one that is necessarily incomplete due to the subjective nature of my choice of artists, but I still think a few people might find it interesting. 

More perhaps than the vast majority of music listeners, I'm particularly interested in who wrote the songs I listen to. While mostly this interest is directed to topics like which bandmembers wrote what in groups like the Beatles and Queen, or collecting songs that songwriters I like such as Randy Newman or Joni Mitchell wrote for for or had covered by other artists, it applies to other pop music listening I do, including mainstream artists like Madonna, Lady Gaga or Adele. This can lead to interesting observations, like how many big pop hits Max Martin has had a hand in writing, or how singer/songwriters like Linda Perry and Dan Wilson wrote or co-wrote some of my favorite pop songs from recent decades, but it also led me to making this particular list. Basically, most people know that among massively popular female superstars, a number of them have a hand in writing much of their material. But in most cases, they generally don't write their songs alone, but with co-writers. This seems even more true in recent years, given the tendency for many pop songs to list a large number of writers (though this is probably in part due to changes in the way songs are credited, such that even the smallest contribution results in a writing credit). So I thought it'd be interesting to look through the catalogs of a number of these superstars, and find the songs that they wrote entirely on their own. 

The subjective part of the list, as mentioned above, is which female superstars I included. Mostly I picked ones I have listened to more, such as Madonna, Shakira, Amy Winehouse, Lady Gaga and Adele. When Tina Turner died and I went back through some of her catalog, I was inspired to add her as an early example. I also included some recent artists who I may not actually have in my collection but who nevertheless have some songs I like, including Taylor Swift and Meghan Trainor. But of course there are a number of other female superstars who could be included in this list, assuming that they have at least one or two songs that they wrote on their own (or at least were credited with). Many singers, of course, don't write any of their material, or at best they write an occasional lyric. But even some who write a lot don't seem to have written anything entirely on their own. A case in point is Mariah Carey, who wrote a lot of the lyrics for her songs herself, and often co-wrote the music, but doesn't seem to have composed the music for any of her songs all on her own (though I'll admit I didn't check all of her rather extensive catalog, so there may be something I missed). Perhaps I will expand this list in the future if I think of additional artists to include, or if I discover songs that I missed. [Note: I have added a song by Cher, as I discovered that while the vast majority of her songs were written by others, she released one album where she did much of the writing, including one song that she wrote on her own.]

As should be clear, in this list I only included songs that the singer wrote or was credited with writing entirely by herself. Many artists who are known for writing their own material, like Madonna and Lady Gaga (or Mariah Carey, as noted above), usually work with co-writers. Madonna, like Carey, writes most of her own lyrics, but usually has a co-writer handling much or all of the music. She only received sole songwriting credits on a handful of songs, mostly from the beginning of her career (and it's certainly possible that she didn't actually write the music for some of these songs without some uncredited help). This leads to another interesting point I noticed; a number of artists who wrote quite a few songs by themselves early in their careers seem to have mostly stopped doing so after their first few albums. Aside from Madonna, other examples include Adele, Lady Gaga and Katy Perry (Tina Turner, on the other hand, wrote a lot of the songs on her later albums with her ex-husband Ike Turner, but didn't write anything in her later years). Another special case is Taylor Swift. She actually wrote most of the songs on her early albums solo, but I've only included some of the bigger hits from those albums, since otherwise her songs would dominate the list. But even in her case, she has mostly worked with co-writers on her more recent albums. 

 Some additional notes: Stefani Germanotta is of course Lady Gaga's original name. The EP she released with the Stefani Germanotta Band doesn't have writing credits, but her producer has said his assumption was that she wrote all the songs herself, and this seems plausible, given the ones she wrote as Lady Gaga (including what is probably my favorite song of hers, "You and I"). Katy Hudson is Katy Perry's original name, and the name under which she released her first album, which was (of all things) a contemporary Christian album. Ella Yelich-O'Connor is Lorde's real name. 

Solo Compositions by Female Superstars
Feel Good (Turner)    Ike & Tina Turner (1972)
Black Coffee (Turner)    Ike & Tina Turner (1972)
Nutbush City Limits (Turner)    Ike & Tina Turner (1973)
Sweet Rhode Island Red (Turner)    Ike & Tina Turner (1974)
Sexy Ida (Pts. 1 & 2) (Turner)    Ike & Tina Turner (1974)
Everybody (Madonna)    Madonna (1982)
Lucky Star (Madonna)    Madonna (1983)
Burning Up (Madonna)    Madonna (1983)
Shoo-Bee-Doo (Madonna)    Madonna (1984)
Gambler (Madonna)    Madonna (1985)
Hey You (Madonna)    Madonna (2007)
Kindred Spirit (Lauper)    Cyndi Lauper (1989)
New Year's Baby (First Lullaby) (Lauper)    Cyndi Lauper (1998)
With or Without You (Cher)    Cher (2000)
Moscas en la Casa (Shakira Mebarak)    Shakira (1998)
Que Vuelvas (Shakira Mebarak)    Shakira (1998)
Tú (Shakira Mebarak)    Shakira (1998)
Objection (Tango)/Te Aviso, Te Anuncio (Tango) (Shakira)    Shakira (2002)
Escondite Inglés (Shakira)    Shakira (2005)
Día de Enero (Shakira)    Shakira (2005)
I Heard Love Is Blind (Winehouse)    Amy Winehouse (2003)
Rehab (Winehouse)    Amy Winehouse (2006)
You Know I'm No Good (Winehouse)    Amy Winehouse (2006)
Me & Mr. Jones (Winehouse)    Amy Winehouse (2006)
Love Is a Losing Game (Winehouse)    Amy Winehouse (2006)
Some Unholy War (Winehouse)    Amy Winehouse (2006)
Addicted (Winehouse)    Amy Winehouse (2006)
Hometown Glory (Adele Adkins)    Adele (2008)
Daydreamer (Adele Adkins)    Adele (2008)
Best for Last (Adele Adkins)    Adele (2008)
Crazy for You (Adele Adkins)    Adele (2008)
First Love (Adele Adkins)    Adele (2008)
My Same (Adele Adkins)    Adele (2008)
I Found a Boy (Adele Adkins)    Adele (2011)
Something Crazy (Stefani Germanotta)    Stefani Germanotta Band (2006)
No Floods (Stefani Germanotta)    Stefani Germanotta Band (2006)
Wish You Were Here (Stefani Germanotta)    Stefani Germanotta Band (2006)
Words (Stefani Germanotta)    Stefani Germanotta Band (2006)
Red and Blue (Stefani Germanotta)    Stefani Germanotta Band (2006)
Speechless (Stefani Germanotta)    Lady Gaga (2009)
You and I (Stefani Germanotta)    Lady Gaga (2011)
Just Another Day (Stefani Germanotta)    Lady Gaga (2016)
Love Story (Swift)    Taylor Swift (2008/2021)
Fifteen (Swift)    Taylor Swift (2008/2021)
State of Grace (Swift)    Taylor Swift (2012/2021)
Red (Swift)    Taylor Swift (2012/2021)
Holy Ground (Swift)    Taylor Swift (2012/2021)
Begin Again (Swift)    Taylor Swift (2012/2021)
This Love (Swift)    Taylor Swift (2014/2022)
Lover (Swift)    Taylor Swift (2019)
Cornelia Street (Swift)    Taylor Swift (2019)
My Tears Ricochet (Swift)    Taylor Swift (2020)
No Body, No Crime (Swift)    Taylor Swift featuring Haim (2021)
Last Call (Hudson)    Katy Hudson (2001)
My Own Monster (Hudson)    Katy Hudson (2001)
Spit (Hudson)    Katy Hudson (2001)
When There's Nothing Left (Hudson)    Katy Hudson (2001)
Thinking of You (Perry)    Katy Perry (2009)
One of the Boys (Perry)    Katy Perry (2009)
Mannequin (Perry)    Katy Perry (2009)
Every Day Is a Holiday (Perry)    Katy Perry (2015)
I'll Be Home (Trainor)    Meghan Trainor (2014)
My Selfish Heart (Trainor)    Meghan Trainor (2015)
Marry Me (Trainor)    Meghan Trainor (2019)
The Path/Te Ara Tika (Ella Yelich-O'Connor)    Lorde (2021)
Oceanic Feeling/Hine-i-te-Awatea (Ella Yelich-O'Connor)    Lorde (2021)

Honorable Mention: 
Timor (W: Shakira, Peter Gabriel M: Shakira)    Shakira 
[This song wasn't written entirely by Shakira, but she was mainly responsible for it, and I couldn't resist giving it a shout-out for its social commentary, not to mention its co-writer]

Tuesday, December 13, 2022

Fleetwood Mac Highlights

 This year has already seen the deaths of a number of notable musicians and singers, including Lamont Dozier, Lata Mangeshkar, Jerry Lee Lewis, Gary Brooker of Procul Harum, Olivia Newton-John, Loretta Lynn, Coolio and more. But the one whose songs I felt the closest connection to is probably Christine McVie of Fleetwood Mac. So with her recent death, it seems like a good time to post a list of some of my favorite Fleetwood Mac songs and songs that I consider to be among the highlights of their long, highly varied career.

While I actually only have a limited number of Fleetwood Mac albums in my collection, two of them, the eponymous Fleetwood Mac (1975) and especially Rumours (1977), are full of songs that I've listened to countless times, and most of the band's best known tracks from their subsequent albums are also very familiar to me, particularly those from Tango in the Night (1987), as that came out when I first started intensely listening to music, around the time I graduated from high school. In addition to a compilation covering the band's output from 1975 on, I have one from the early Peter Green era, and more recently I acquired the box set 25 Years - The Chain, which covers a wider range of their career. Other than founding members Mick Fleetwood and John McVie, Christine McVie (born Christine Perfect), who joined the band in 1970 after marrying John McVie (they divorced in 1976, not long before Rumours came out), was in the band for longer than anyone else up until her 15-year hiatus from the group beginning in 1998. She had become the band's chief songwriter and lead vocalist when, in late 1974, they were joined by Lindsey Buckingham and Stevie Nicks, who subsequently shared writing and singing duties with McVie for the most successful era of the band's career. 

Having multiple talented songwriters, as many great bands such as the Beatles, Queen, Genesis, the Eagles and Buffalo Springfield have had, plus having more than one member capable of singing lead, as was also the case with most of these bands, makes a group's recordings sound more varied than they would otherwise, and Fleetwood Mac was no exception. Indeed, if their entire career is considered, they were among the most varied of all, though that was in part because of their constantly changing lineup. While drummer Mick Fleetwood and bassist John McVie are the band's rhthymic heart and its only constant members and are in fact the people it is named for, they don't sing or do much songwriting. The band's primary songwriter when it was founded in Britain in 1967 was guitarist and vocalist Peter Green; in fact in the beginning it was sometimes billed as Peter Green's Fleetwood Mac. Peter Green wrote a number of great songs in the band's early days, including "Black Magic Woman" (later a big hit for Santana), "Albatross", "Oh Well" and "The Green Manalishi", but drug use led to mental issues and he left the band in 1970. Guitarists Jeremy Spencer, who had been with the band since the beginning, and Danny Kirwan, who had joined in late 1968, took over songwriting duties, though the band also did covers, particularly blues songs, as they had on their albums with Green. Kirwan's "Dragonfly" was the most notable track from this period.

Christine McVie, who had been making appearances with the band since May 1969 when she was still known as Christine Perfect, officially joined in late 1970. Spencer suddenly quit to join a religious group in early 1971, and while Green was recruited to fill in temporarily, Spencer's permanent replacement was American guitarist and singer Bob Welch, and he and McVie joined Kirwan as the band's chief songwriters. But Kirwan had alcohol problems and started to fight with the others, and Fleetwood fired him in late 1972. Subsequently they added guitarist Bob Weston and vocalist Dave Walker, though Walker only lasted one album and Weston for two. Other musicians played with the band without becoming full members. Welch and McVie were the band's main writers in this period, with key tracks including Welch's "Hypnotized" and McVie's "Heroes Are Hard to Find". 

By now the band, despite their British origins, were based in California. Fleetwood invited guitarist/vocalist Lindsey Buckingham and his partner, vocalist Stevie Nicks to join the band at the end of 1974, while Welch left for a solo career. It was this lineup of Fleetwood, the two McVies, Buckingham and Nicks that recorded the hugely successful 1975 album Fleetwood Mac and then, despite the breaking up of the McVies' marriage and Buckingham and Nicks's relationship (not to mention Fleetwood's divorce from his wife), they recorded and released Rumours, which came out in early 1977 and became one of the best selling albums of all time. Subsequent albums by this lineup, 1979's Tusk, 1982's Mirage and 1987's Tango in the Night may not have been quite as consistent as the first two, but they still had a lot of great material, and overall this period is generally considered the band's peak. Buckingham quit before the tour for Tango in the Night, and over the subsequent years the band's lineup went back to being highly fluid, with key members such as Nicks and Christine McVie sometimes leaving and returning and the band adding various other members such as Billy Burnette and Rick Vito, though the studio albums released in this period fared poorly both critically and commercially. 

The Rumours era lineup reunited in 1997 and recorded and released the successful concert album The Dance. But Christine McVie quit in 1998 and she only played on a few tracks on what is to date the band's last studio album, 2003's Say You Will, which was dominated by Buckingham and Nicks, as was the 2013 EP that remains the most recent release of new material under the band's name. McVie rejoined the band for live performances in 2014, and she and Buckingham released an album of new songs together in 2017, with contributions from Fleetwood and John McVie. But in 2018, Buckingham was forced out of the band after conflicts with Nicks, and replaced with guitarist Mike Campbell (formerly of Tom Petty and the Heartbreakers) and vocalist/guitarist Neil Finn of Crowded House. This new lineup toured together very successfully but had not released any studio recordings by the time of Christine McVie's death on November 30 of this year (other key members of the band who have died in recent years include Peter Green, who died in 2020, and Danny Kirwan, who died in 2018), though in July 2021 Neil Finn released a charity single which featured Stevie Nicks and Christine McVie, which as far as I can discover seems to be the last studio recording to feature multiple members of Fleetwood Mac.

As noted above, I can't by any means claim a comprehensive familiarity with all of Fleetwood Mac's recorded output, and truly dedicated fans will no doubt say I left a lot of great songs out of the following list. For that matter, I myself may come to consider it lacking after I have the opportunity to listen more extensively to the aforementioned box set and to later material that I haven't gotten around to checking out. But while the list may be missing a lot, what I can be sure of is that the songs I've included are all worth a listen by all music fans.

Black Magic Woman (Green)

Love That Burns (Green/Adams)

Albatross (Green)

Man of the World (Green)

Oh Well Parts 1 & 2 (Green)

The Green Manalishi (With the Two-Prong Crown) (Green)

Dragonfly (Kirwan)

Sentimental Lady (Welch)

Hypnotized (Welch)

Heroes Are Hard to Find (McVie)

Monday Morning (Buckingham)

Rhiannon (Nicks)

Over My Head (McVie)

Say You Love Me (McVie)

Landslide (Nicks)

World Turning (McVie/Buckingham)

I'm So Afraid (Buckingham)

Second Hand News (Buckingham)

Dreams (Nicks)

Never Going Back Again (Buckingham)

Don't Stop (McVie)

Go Your Own Way (Buckingham)

Songbird (McVie)

The Chain (Buckingham/Fleetwood/McVie/McVie/Nicks)

You Make Loving Fun (McVie)

I Don't Want to Know (Nicks)

Silver Springs (Nicks)

Think About Me (McVie)

Sara (Nicks)

What Makes You Think You're the One (Buckingham)

Storms (Nicks)

Sisters of the Moon (Nicks)

Tusk (Buckingham)

Gypsy (Nicks)

Hold Me (McVie/Patton)

Big Love (Buckingham)

Seven Wonders (Nicks/Stewart)

Everywhere (McVie)

Little Lies (McVie/Quintela)

As Long As You Follow (McVie/Quintela)

No Questions Asked (Nicks)

Paper Doll (W: Nicks M: Nicks/Vito/Heron)

Peacekeeper (Buckingham)



Tuesday, July 19, 2022

Celebrating the Birthdays of Two Musical Greats

 The past few weeks have seen major birthday milestones for two musicians who were key members of two of the biggest bands in popular music history - bands that also happen to be two of my favorites. What's more, these two musicians share a number of characteristics, both in terms of their approaches to music and in the way that, despite receiving widespread praise and admiration, they are sometimes slightly (and unfairly) overshadowed by deceased former bandmates. 

Paul McCartney, who became famous as one of the Beatles, turned 80 on June 18. I wrote a brief retrospective of his career in Chinese that I posted on Facebook to commemorate the occasion, though I was far from the only one to acknowledge it (one of the more notable public tributes for McCartney's birthday was by Sean Lennon, son of his former Beatles bandmate John, who posted a cover of "Here, There and Everywhere"). I wrote a far more extensive retrospective here on my blog on the occasion of McCartney's 70th birthday. However, it really should be updated, as in the intervening decade, McCartney has remained amazingly prolific for a man of his age, releasing three albums of new songs, New, Egypt Station and McCartney III, all strong contenders for the list I included in that retrospective of "Paul McCartney’s Best Post-Beatles Studio Albums". If I was still narrowing it down to ten albums, New would displace Flowers in the Dirt and Egypt Station might displace Venus and Mars, Run Devil Run or Electric Arguments (though those are all quite good as well, so it'd be a tough call). Another demonstration of his continuing musical versatility came in 2012, when he collaborated with the three remaining members of Nirvana on the screaming rocker "Cut Me Some Slack". 

There is no question that Paul McCartney is one of the most talented songwriters in popular music history. In fact a strong argument could be made that as a writer of melody in particular, he is among the greatest in any genre of music, up there with people like Mozart. Bob Dylan, also one of the greatest songwriters of the past century, once acknowledged that he was in "awe" of the ease with which McCartney came up with original melodies, and another of the greats, Paul Simon, has expressed similar sentiments. Despite this, there is still a tendency among a few critics, fans, and less aware members of the general public to idolize the late John Lennon over McCartney, a phenomenon I address at greater length in the blog post referenced above. You're still far more likely to see a T-shirt or poster with a picture of Lennon than McCartney. However, I get the impression that by now most people who have more than a passing knowledge of pop music recognize McCartney's genius. In any case, there's no comparing the two's solo careers at this point, as McCartney's has gone on for more than four decades longer and has been by far more prolific. 

A more recent birthday was that of Brian May of Queen, who turned 75 on July 19. As I did with the members of the Beatles, I wrote retrospectives of all the members of Queen a decade ago, including one on May when he turned 65. May has not been particularly prolific in terms of new music recently, as he has yet to release a solo album this century, though he has written and released a number of new songs, including several he did with singer Kerry Ellis and the song "New Horizons" commemorating the space probe of the same name. But he has remained impressively active on many other fronts, touring with Queen bandmate Roger Taylor and singer Adam Lambert (I saw them myself when they came to Taiwan a number of years ago); playing guitar for numerous artists, one of the most prominent examples being Lady Gaga, on what I consider her best song, "You and I"; various endeavors in the fields of science, space exploration and stereophotography, including publishing the book Queen in 3-D featuring his stereoscopic photos of the groups, and animal rights activism, something he shares with McCartney, with both of them speaking out strongly against fox hunting in Britain. 

One thing that May shares with McCartney is a meticulous approach to arrangement, something that can be seen most clearly on songs like "Good Company", which May painstakingly assembled from numerous guitar overdubs to create a backing track that sounded like a trad jazz band. They also share an obvious affinity for melody. But also like McCartney, he has at times been overshadowed by a former bandmate who died decades ago, in his case Queen vocalist Freddie Mercury. It is true that in addition to his incredible vocals, amazing showmanship, and impressive piano playing, Mercury was Queen's most prolific composer, writing the largest share of their songs, including many of their biggest hits. But in the band's golden years in the 1970s, May wrote as much of the band's material as Mercury, with Taylor and bassist John Deacon writing much less, and while in the 1980s Mercury and May's songwriting dominance ended, with all four members more or less writing equal amounts, May made major writing contributions to all the group's albums. May didn't write as many big hit singles as Mercury, but he did write such hits as "We Will Rock You", "Save Me", "Hammer to Fall", "Who Wants to Live Forever" and "I Want It All", as well as many great album tracks like "'39", "The Prophet's Song", "Tie Your Mother Down", "It's Late", and "Dead on Time". "'39" in particular is brilliant, probably the only song by a major rock band to portray the effects of time dilation as outlined in Einstein's theory of relativity. May was also responsible for some of Queen's most lyrically thought-provoking songs, such as "Put Out the Fire" and the abovementioned "Hammer to Fall" and "'39". But Mercury's death, like Lennon's, has removed him to the pantheon of dead rock gods alongside people like Jimi Hendrix, Elvis Presley and Janis Joplin, so inevitably his bandmates get a lot less attention. Not that May seems to mind particularly. Still, it's worth remembering that, just as Paul McCartney was as much responsible for the Beatles' greatness as John Lennon, Brian May and his guitar were as essential a part of Queen's sound as Freddie Mercury's voice. Not to mention, being both the holder of a PhD in astrophysics and the writer of iconic songs like "We Will Rock You" and "Hammer to Fall" is an achievement that few could ever hope to emulate.

So best wishes to both McCartney and May, as well as to other musical greats who have recently celebrated birthdays, such as Brian Wilson (80) and McCartney's fellow Beatle Ringo Starr (82). I hope they'll be around to make music for many more years.

Sunday, December 26, 2021

My (Very Limited) Songwriting Career and Some Spotify Lists

I've continued to neglect this blog, but I wanted to make at least one post before the year ended. I was originally planning to write something about the Beatles' last year together and the two albums that came out of it, Let It Be (the recording of which was covered by the recent Beatles documentary Get Back) and Abbey Road, but I haven't had time to do it. As an alternative, I'm posting something I wrote 10 days ago about my two small contributions to the world of recorded music, and a list of some of the Spotify lists I've compiled in the last year or so.

My (Very Limited) Songwriting Career

Though I've written a handful of songs and even publicly performed a few of them, none of them has appeared on any kind of formal release. Twenty years ago, I rewrote a couple of lines in a short song in English called "I Learn" which Taiwanese musician Zhu Yuexin (Jutopi) had written for Taiwan's first human rights-themed compilation album A Home for Everyone (美麗之島,人之島). He insisted that I be credited, so that was the first and until now the only time I've received a songwriting credit on an officially released CD. But some time back, Paiwan singer-songwriter Zhuo Yamai (卓亞麥) asked me to write English words for a blues song that he'd released on his 2019 album. Since the original Chinese lyrics were short and simple, I was able to translate them more or less directly with only slight adjustments so they would scan correctly, and using an instrumental backing track he'd given me, I recorded a demo for him. A few months ago, he told me he'd recorded the song for his new album. The album, titled Bicai (部落菜車), was just released, and on the song I wrote/translated the lyrics for, he sings a duet with another great Paiwan singer-songwriter, Dakanow (達卡鬧). While they are obviously not native speakers of English, they have the feeling down pat, and the backing track is pure blues. So for the second time, I have a songwriting credit on a CD. I hope I'll get more opportunities like this in the future, including writing entirely original lyrics in either English or Chinese (and maybe music as well, though my abilities there are a little more limited) - and that it won't be quite so long until the next time.

Some Spotify Lists
More Than 1001 Songs You Must Hear Before You Die: https://open.spotify.com/playlist/0kUt9ERobbN9b37boaj62z?si=9576d4eff20a442f

The Beatles - A Comprehensive Introduction: 
https://open.spotify.com/playlist/0ATqLioi58R5EXQSh0K450?si=f21354445a0f4593

Queen - A Comprehensive Introduction: 
https://open.spotify.com/playlist/4IeOrO4ThgnpIkmRuA8B2p?si=5f65d7c637914dc3

Sting and the Police - A Comprehensive Introduction: 
https://open.spotify.com/playlist/1dcFY1SmdFgnMGOytMuHIw?si=338b92021ec74fe9

Genesis - A Comprehensive Introduction: 
https://open.spotify.com/playlist/5Gl1Vyk9JNB3zA2BIdXL4Z?si=0134eb73fd0a4340

Randy Newman Sings Randy Newman: 
https://open.spotify.com/playlist/1p7iRVxEYjKcufRkDOsONh?si=01eef7d4f54e4828

The Songs of Randy Newman: 
https://open.spotify.com/playlist/1lJno5iLpeivFRpMsHTwVG?si=6f5710e970974f9c

Epic Songs: 
https://open.spotify.com/playlist/4A30sXYOjJBdnIjGwSYHVB?si=b2b0202b23da45c8

Everyone Sings the Beatles - A Selection of Beatles Covers
https://open.spotify.com/playlist/24k7IUPtunPaVl4fSajmEr?si=12a3f3ba0a844e5c

Obscure Beginnings: 
https://open.spotify.com/playlist/2SUWgLMI1S0yYYqhk3K4je?si=753879f587fc4443

Obscure Originals: 
https://open.spotify.com/playlist/77xWygDEe3hp5J0oopm95c?si=d41dc1d777714e9d

羅大佑精選The Best of Luo Dayou (Lo Tayou): 
https://open.spotify.com/playlist/1bQq52OQOgY6NczYipXr4y?si=fbe4bf0c1cd9494c

Beyond精選The Best of Beyond: 
https://open.spotify.com/playlist/2zec3aHwx0Hathzw3RILN2?si=1ea42163577f4a44

近代經典台灣原住民歌Modern Taiwanese Indigenous Pop: 
https://open.spotify.com/playlist/65SzxUWwUbZQNpieAfSAc3?si=631f84ef2c934533

East and Southeast Asian Classics (東亞經典歌曲): 
https://open.spotify.com/playlist/5gMBQKFTuZ5nBVr2n03nUl?si=621ad345d18c44ef

1980年代的台灣流行歌 Taiwanese Pop of the 1980s: 
https://open.spotify.com/playlist/5BGX7rwutvIL3miFgWqC9b?si=5e7ec349c42c459c


Thursday, December 31, 2020

Six Plus Nineteen: Songs for Juneteenth

I have badly neglected this blog for a couple of years now, but since I managed to make one post last year, I didn't want to let this year go by without at least one new entry. Obviously the list below was compiled over 6 months ago, but at the time I didn't think to post it here, though I did post it elsewhere. It matters little, since the songs themselves are timeless - and more regrettably, the problems they address haven't been adequately dealt with. Let's hope we see more progress in 2021, which at least seems possible now that the US will have a decent president.

Six Plus Nineteen: Songs for Juneteenth

Juneteenth, celebrated every June 19th, is a holiday commemorating the day when African American slaves in Texas were first informed that they had been freed by Abraham Lincoln's Emancipation Proclamation. It's an official holiday in Texas and an unofficial one across the United States, but it has gained special resonance this year in the wake of the Black Lives Matter protests against police violence that have taken place over the past few weeks, not only in the US but around the world. As a result, there are rallies, protests and activities happening all around the US and beyond this weekend under the heading six nineteen (i.e., the sixth month's nineteenth day). As my own small contribution, I've made a list of songs from the past century or so addressing racial issues in the US and celebrating black pride. There are of course many other worthy songs, and probably I'll be kicking myself over having left out an important one soon after I post this, but I think I've at least covered many of the best ones here. Black Lives Matter!

We Shall Overcome (Traditional), performed by Pete Seeger (1964) - A song with a very complex history stretching back well over a century, it became an anthem of the civil rights movement in the US. There are countless versions of the song, but here I'm including the one by Pete Seeger, who helped popularize the song and was probably responsible for changing the original "We Will Overcome" to "We Shall Overcome".

https://www.youtube.com/watch?v=Kfo_W73n0hE

Strange Fruit (A. Meeropol), performed by Billie Holiday (1939) - Jewish-American writer Abel Meeropol first wrote the harrowing lyrics to Strange Fruit, a song about the lynching of black people in the US South, as a poem, which he published under his pen name Lewis Allen, and he later set it to music with the help of his wife and a black singer named Laura Duncan. They performed it around New York, and it came to the attention of Billie Holiday, who recorded it in 1939. Her version went on to sell more than a million copies, despite the grim subject matter.

https://www.youtube.com/watch?v=0mO92ll_q0k

Black, Brown and White (B. Broonzy), performed by Big Bill Broonzy (1950s) - This song by blues singer Big Bill Broonzy addresses racial discrimination in the US, but instead of merely focusing on the different treatment received by black and white people, Broonzy points out that being "brown", i.e. an African American with lighter skin tones, while not as good as being white, was considered more acceptable than being black, i.e., dark skinned. The song covers discrimination in employment, entertainment, wages and voting. 

https://www.youtube.com/watch?v=k0c1c0ZsTLA 

Blowin' in the Wind (B. Dylan), performed by Bob Dylan (1962) - Dylan's famous folk song, while it addresses war as well as race relations, became an anthem of the civil rights movement, and inspired black musicians like Sam Cooke to create their own civil rights anthems. Also worth mentioning is Dylan's "Oxford Town", inspired by anti-black rioting in Oxford, Mississippi. 

https://www.youtube.com/watch?v=vWwgrjjIMXA

Mississippi Goddam (N. Simone), performed by Nina Simone (1964) - This song by African American singer Nina Simone was her response to violence against black people in the South. While stations in the South refused to play it, it became another civil rights anthem, and Simone sang it at the 1965 civil rights marches in the South.

https://www.youtube.com/watch?v=4tHYGfRot5w

A Change Is Gonna Come (S. Cooke), performed by Sam Cooke (1964) - I posted something about this classic song by Sam Cooke a couple of weeks ago. Inspired in part by "Blowin' in the Wind" and by racism Cooke experienced personally, it is widely considered the best song in his already impressive catalogue. 

https://www.youtube.com/watch?v=wEBlaMOmKV4

People Get Ready (C. Mayfield), performed by The Impressions (1965) - This gospel-influenced song written by Curtis Mayfield, lead singer of The Impressions, is another highly regarded classic inspired by the African American fight against oppression. It has been widely covered by artists including Aretha Franklin and Bob Marley.

https://www.youtube.com/watch?v=UG-KNy1MRTc

Respect (O. Redding), performed by Aretha Franklin (1967) - This song was originally written and recorded by soul singer Otis Redding, but Aretha Franklin drastically rearranged it, turning it to an anthem for both feminism and black rights. Also worth noting is Aretha's own composition "Think", probably my favorite song by her.

https://www.youtube.com/watch?v=6FOUqQt3Kg0

Say It Loud - I'm Black and I'm Proud (J. Brown, A. Ellis), performed by James Brown (1968) - Just months after releasing the reactionary "America Is My Home", James Brown took a big step towards restoring his reputation with this call for black empowerment. 

https://www.youtube.com/watch?v=9bJA6W9CqvE

Blackbird (P. McCartney), performed by The Beatles (1968) - Paul McCartney has said this classic song from the Beatles' White Album was inspired in part by the civil rights movement, with the "blackbird" being a metaphor for a black woman struggling for her rights. Many years later, McCartney addressed racial issues again with his hit duet with Stevie Wonder, "Ebony and Ivory".

https://www.youtube.com/watch?v=Man4Xw8Xypo

Everyday People (S. Stone), performed by Sly and the Family Stone (1968) - This song by Sylvester "Sly Stone" Stewart is a plea for racial equality and mutual understanding. It popularized the catchphrase "different strokes for different folks".

https://www.youtube.com/watch?v=YUUhDoCx8zc 

What's Going On (A. Cleveland, R. Benson, M. Gaye), performed by Marvin Gaye (1971) - This classic soul song addresses all the social problems going on the US at the time, including racial conflict and the war in Vietnam, and is still considered one of Gaye's best recordings. This video from 2019 opens and ends with clips of Gaye performing and intercuts the song with scenes from recent events and protests in America.

https://www.youtube.com/watch?v=o5TmORitlKk

Black and White (D. Arkin, E. Robinson), performed by Three Dog Night (1972) - This anti-racism song dates back to 1954 (Pete Seeger was the first to record it, in 1956), but the best known recording was Three Dog Night's hit version.

https://www.youtube.com/watch?v=4f65mO146Zo

Living for the City (S. Wonder), performed by Stevie Wonder (1973) - This song by Stevie Wonder tells the story of a young black man from Mississippi who moves to New York City and paints a picture of the hardships faced by many African Americans, from hard, low-paying jobs to a racist criminal justice system.

https://www.youtube.com/watch?v=Nu95a_RiH54

Rednecks (R. Newman), performed by Randy Newman (1974) - A listener who heard this song by Randy Newman without paying close attention might easily conclude that the song is racist, sung as it is by a white man who makes heavy use of the n-word and repeats lines about "keeping the n***ers down". But it is in fact a satire, one that mocks both ignorant racists in the South and hypocrites in the North, who call Southerners racist while forcing black people living in Northern cities into ghettos through policies such as redlining. Not comfortable listening for anyone, but razor sharp in its criticism. 

https://www.youtube.com/watch?v=hTLHxpUQ_B8

Redemption Song (B. Marley), performed by Bob Marley (1980) - Bob Marley recorded this song solo, singing and playing acoustic guitar, and released it only half a year before he died of cancer. With its lines about emancipating yourself from mental slavery taken from a speech by Marcus Garvey, it had strong associations with black consciousness.

https://www.youtube.com/watch?v=yv5xonFSC4c

The Way It Is (B. Hornsby), performed by Bruce Hornsby and the Range (1986) - This song by Bruce Hornsby was one of the most social conscious hits of the mid 1980s, condemning hardened racist and classist attitudes and featuring a great piano hook.

https://www.youtube.com/watch?v=GlRQjzltaMQ

Sign o' the Times (Prince), performed by Prince (1987) - Prince wasn't known for writing socially conscious lyrics, but he addressed a wide range of social ills in the title track to this album that many critics consider his best.

https://www.youtube.com/watch?v=8EdxM72EZ94

Talkin' 'bout a Revolution (T. Chapman), perfomed by Tracy Chapman (1988) - Tracy Chapman's songs often addressed social issues, and one of her best songs in that vein was this one from her first album.

https://www.youtube.com/watch?v=Xv8FBjo1Y8I

Funny Vibe (V. Reid), performed by Living Colour (1988) - A couple of weeks ago I posted about Living Colour's "Which Way to America", one of black rock band Living Colour's many songs that focused on social problems faced by African Americans, and this song, which tells about the racial profiling that is a daily experience for black men, is another great example. 

https://www.youtube.com/watch?v=ag2KgtwATfI&t=1s (original version)

https://www.youtube.com/watch?v=8D_uJFs76zU (new version with extra rap verses)

Fight the Power (C. Ridenhour, E. Sadler, H. Boxley, K. Boxley), performed by Public Enemy (1989) - This classic rap song by Public Enemy featured in Spike Lee's film Do the Right Thing and is still a favorite theme song for those fighting unjust authorities.

https://www.youtube.com/watch?v=Kj9SeMZE_Yw

Free Your Mind (D. Foster, T. McElroy), performed by En Vogue (1992) - This hit song performed by En Vogue attacks prejudice and calls for racial tolerance, with a musical backing that's a powerful fusion of rock and soul. 

https://www.youtube.com/watch?v=i7iQbBbMAFE

Where Is the Love? (will.i.am, api.de.ap, Taboo, J. Timberlake, P. Board, M, Frantantuno, G. Pajon), performed by The Black Eyed Peas (2003) - This Black Eyed Peas hit lists numerous social ills in the US and around the worlds and makes a plea for racial unity.

https://www.youtube.com/watch?v=WpYeekQkAdc

Formation (B. Knowles, Rae Sremmurd, A. Hogan, M. Williams), performed by Beyonce (2016) - Beyonce's powerful video for this song helped cement its message of female black empowerment.

https://www.youtube.com/watch?v=WDZJPJV__bQ

This Is America (D. Glover, L. Goransson, J. Williams), performed by Childish Gambino (2018) - One of the most lauded and discussed videos of the past few years is this one by Childish Gambino, the alter ego of singer/rapper/actor Donald Glover, which paints a grim picture of gun violence and conflict in America.

https://www.youtube.com/watch?v=VYOjWnS4cMY 


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